William Eggleston

Steidl Publishers

Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, Steidls reassessment of Egglestons career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than 1,000 photographs is drawn from a body of 12,000 pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, the ensuing v...

Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, Steidls reassessment of Egglestons career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than 1,000 photographs is drawn from a body of 12,000 pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, the ensuing volumes cover Egglestons travels from his familiar ground in Memphis and Tennessee out to Dallas, Pittsburgh, Miami and Boston, the pastures of Kentucky and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson in Tennessee.
The democratic in Egglestons title refers to a democracy of vision, through which the most mundane subjects are
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